THE DIALOGUE CONTINUITY SCRIPT FOR THE UFO EPISODE "THE PSYCHOBOMBS" Transcription by Danielle Plamondon. Introduction by Marc Martin. When one thinks of TV scripts, one usually doesn't think of "Dialog Continuity Scripts", which show every line of dialog in the finished episode. I'm not exactly sure what dialog continuity scripts are used for -- perhaps they are used to make foreign language versions of the episode, or perhaps the sound editor uses them when creating the audio portion of the episode? Anyway, this is a transcription of a photocopy of a dialog continuity script for the UFO episode "THE PSYCHOBOMBS". The layout here is exactly the same as the original. Page breaks have been marked with a unique character string, so if you would like to print out a copy of this file and maintain the original page breaks, simply use a word processor which allows you to replace these strings with page breaks. There were a few lines which could not be read due to problems with the photocopy, but transcriber Danielle Plamondon watched the actual episode to fill in the missing dialog. Enjoy! ------------------------------ CUT HERE -------------------------------- "U. F. O." ---------- "THE PSYCHOBOMBS" --------------- Dialogue Continuity Script, NOVEMBER, 1970. ***PAGE*** Reel 1, Page 1. A GERRY ANDERSON CENTURY 21 TELEVISION PRODUCTION RADIO OPERATOR We've lost it. STRAKER Must have ducked under the radar screen. RADIO OPERATOR Yes. STRAKER I want it found. COL.LAKE We've done pretty well. Moonbase has destroyed three and two have been shot down in the atmosphere. STRAKER One unlocated Ufo is one Ufo too many. Find it. POLICEMAN This your car miss? LINDA Yes. POLICEMAN Not a very clever way to park. LINDA I don't remember.. POLICEMAN Anyone with you? LINDA No! No. POLICEMAN Could I see your driver's licence, please, Miss. 3 to control - Red sports, registration B bravo, M Mike, W Whisky, 1 8 9. Would you get out of the car please, Miss. LINDA What? Why? POLICEMAN Get out of the car please. LINDA Look, I don't understand, I was just driving home when you stopped....... POLICEMAN That was a stupid thing to try, Miss. I think you'd better give me the keys. Give me the keys, please. Don't give me a hard time, Miss. UFO THE PSYCHOBOMBS ED BISHOP AS CMDR. STRAKER MICHAEL BILLINGTON AS COL. FOSTER WANDA VENTHAM AS COL. VIRGINIA LAKE GUEST ARTISTS: DEBORAH GRANT AS LINDA MIKE PRATT AS MASON DAVID COLLINGS AS CLARK ***PAGE*** Reel 1, Page 2. GUEST ARTISTS: TOM ADAMS AS CAPT. LAURITZEN ALEX DAVION AS THE EXECUTIVE FORMAT GERRY & SYLVIA ANDERSON WITH REG HILL TELEPLAY TONY BARWICK CENTURY 21 FASHIONS SYLVIA ANDERSON DIRECTED BY JEREMY SUMMERS PRODUCED BY GERRY ANDERSON AND REG HILL END OF REEL ONE ***PAGE*** Reel 2, Page 1. STRAKER This is Commander Straker. Colonel Lake around? Well, where's Colonel Foster? No, no. Don't bother. Spread it around I'm on my way in, will you. I find it helps efficiency. Whats the problem? CLARK I wonder if you you'd give me a lift. STRAKER Why, what's the matter? CLARK My car... Doesn't seem to want to start. STRAKER V/O Well, I, er... CLARK I live just a little way down this road, if you could, er.... STRAKER Alright. Jump in. CLARK Thank you very much. I'm, er, sorry to trouble you like this. STRAKER Oh, forget it. It's no trouble. CLARK Oh, you're an American... STRAKER That's right. Boston. CLARK Oh. I find most Americans are, very mechanically minded.. STRAKER Oh? CLARK I'm not I'm afraid. Well, take my car. It's probably just, er, the lead, or wire, or something like that. STRAKER Er, what is your line, Mister.... CLARK Clark, Daniel Clark. That's what I am, a bank clerk. I pride myself on being a good judge. I'd say you were some kind of, er, executive. STRAKER Yes, I guess you could say that. CLARK Oil? STRAKER Motion pictures. CLARK Oh, Films. Oh that must be a very exciting life. Oh well anywhere along here will be just fine. I live over there. Just beyond the wood. STRAKER Well, there we are, Mr.Clark. CLARK Er, thank you very much. STRAKER Don't mention it. No trouble at all. CLARK I..... appreciate.......... ***PAGE*** Reel 2, Page 2. STRAKER What's the matter? RADIO OPERATOR Commander Straker's car, sir. FOSTER Where? RADIO OPERATOR Three kilometers from junction 14. COL.LAKE How does it feel? STRAKER Like it's just been shaken by an angry orangutang. JACKSON Well I'm afraid you will live, Commander. STRAKER Thank you very much, Doctor. V/O Ah, Paul, what have we got? FOSTER Daniel Frederick Clark, age 44, works in a bank. Married with two children. STRAKER Nothing else? FOSTER No criminal record. Not even a traffic indictment, nothing. A solid law abiding citizen. A Mister average. We'll find out more when we pick him up. STRAKER Mister average threw me across the car like a rubber doll. JACKSON There are certain psychiatric conditions that can impart tremendous physical strength for brief periods. Tensions... stresses... of one kind or another build up and... er, finally explode. FOSTER Maybe you should take a few days off. STRAKER No, I'm fine. How are the new interceptor pilots shaping up at Moonbase, Paul? COL.LAKE How soon should they be ready? STRAKER Well they should be ready in a month. FOSTER Month? Nearer six weeks. STRAKER Thank you, Lieutenant. Colonel Foster, I want you to read that. FOSTER What is it? STRAKER An ultimatum. FOSTER Notice is hereby given that unless the terms herewith are... STRAKER First the Fairfield Tracker Station and then Skydiver Three will be destroyed. ***PAGE*** Reel 2, Page 3. FOSTER And then SHADO Control and Commander Straker. STRAKER Unless Shado ceases all operation. COL.LAKE Surrender? Where'd you get it? STRAKER Daniel F. Clark must have slipped it into my coat. FOSTER These conditions - Moonbase to be evacutaed. All Skydivers to surface.... If Clark did write this he knows a hell of a lot about our organisation. STRAKER I want a security check on all Shado in- stallations. Get me a line link to all Skydiver Captains. OPERATIVE Yes Sir. STRAKER Put Moonbase on Yellow alert. RADIO OPERATOR Yes sir. STRAKER While we're about it, we'll have a little security drill right here. Thirty minutes. FOSTER You're taking it seriously. STRAKER I knew an old police captain once, Paul. He used to get a hundred crank letters a week. The one he ignored was the one that killed him. Get on to the Fairfield Commander, their first on the list. FOSTER Yes sir. TRACKER STN. OFFICER What is it? GUARD V/O Perimeter fence, sir, section 4. TRACKER STN. OFFICER Get someone out there . GUARD V/O Get some men out to the fence ............. Bring that jeep over here. Over there. Stay where you are. On the ground. Move. Right, on you feet. Up. Come on. Hands over your head. Head for the jeep. Move.. We've got him, sir. We're coming in now. ***PAGE*** Reel 2, Page 4. TRACKER STN. OFFICER Has he been cleared by security control? GUARD Yes sir, we gave him the works, X-ray, everything. He's clear. TRACKER STN. OFFICER Right. Wait outside. What's your name? CLARK Clark. Daniel Clark. But I.... I seem to be a little confused. TRACKER STN. OFFICER Well, Mr.Clark, you do realise you've entered a restricted area? CLARK No. TRACKER STN. OFFICER Are you trying to tell me you didn't see the notices? CLARK Notices ? No. TRACKER STN. OFFICER Do you own a typewriter? CLARK No. No, I don't. TRACKER STN. OFFICER I see. Guard! Lock him up somewhere, and get me a security line to Control. CLARK Listen... I really can't remember..... GUARD Just keep walking. END OF REEL TWO ***PAGE*** Reel 3, Page 1. TRACKER STN. OFFICER V/O Well, Mr. Clark, you do realise you've entered a restricted area. CLARK V/O No. TRACKER STN. OFFICER V/O Do you own a typewriter? CLARK V/O No. No, I don't. TRACKER STN. OFFICER V/O Right. Guard, lock him up somewhere. And get me a security line to Control. FOSTER Sixty four seconds later an explosive detonation force seventeen. STRAKER Well, Captain, you're the expert. LAURITZEN I have to admit I'm baffled. This man Clark is stripped, checked electronically, cleared on all counts. These recorded results show radiation check - negative. X-ray - negative. Bio-sensors - negative. And to produce a force seventeen detonation would take 4 lbs of our latest explosive. FOSTER Or two pints of nitro glycerine. COL. LAKE The eye of the explosion seemed to be centred on the main electrical switch panel. LARITZEN Yes, a 10,000 volt input. But if he had tried anything there all he would have done was to blow the main fuses or electricute himself. At worst, he may have started a fire. COL. LAKE Was there anything already on the base that he might have used? LAURITZEN No. No explosives of any kind, no nuclear material. Nothing. You know, in the right conditions you can make a bomb out of a bag of flour, but not a detonation of this magnitude. STRAKER Captain, I want you to go down to our Naval installation. I'm putting you in command of security on Skydiver three, the next target. MASON We'll need to take this section down another three metres. LABOURER We won't be able to get near it, sir, till the end of the week. MASON End of the week....? We're behind schedule already. LABOURER What? MASON I said we're behind schedule as it is. Look, what you'll have to do is ....... move some of the men. ***PAGE*** Reel 3, Page 2. LABOURER Are you Okay, Mr.Mason? TRUCK DRIVER Get out the way.... V/O Get out the way.... EXECUTIVE .. and I'll need the file on the cost estimates and a copy of that report as soon as it's typed. LINDA It should be ready this afternoon, sir. Oh, I made the reservations in Geneva. EXECUTIVE Good. Tickets? LINDA In your brief case, sir, with the travellers cheques and cash. EXECUTIVE Thank you. That seems to take care of everything. If you'll just finish that report, and get me those couple of calls.. LINDA Yes sir. EXECUTIVE V/O And cancel all appointments for me on Friday..... I'll speak to the accountand first. LINDA Excuse me sir, I must go. EXECUTIVE Are you alright? LINDA I have to leave. EXECUTIVE I don't understand, is anything wrong? LINDA I must go, at once. EXECUTIVE You don't feel well, come and sit down. LINDA No. No. STRAKER Skydiver three was due to sail tomorrow, but I've brought its departure time forward to 21.00 hours tonight. LAURITZEN Right, I'll be aboard. STRAKER V/O I've told the Captain to remain at sea until further orders. LAURITZEN That's a good idea, sir. Once we're mid ocean we should be safe enough. STRAKER Let's hope so. LAURITZEN Hey, what do you think you're doing? Ahhhhhhhhhhhhhhhhhhh SKYDIVER NAVIGATOR Commander Straker for you, sir. SKYDIVER CAPTAIN Right. STRAKER V/O I just want to check on your departure time, Captain. ***PAGE*** Reel 3, Page 3. SKYDIVER CAPTAIN We'll make twenty one hundred hours alright, sir. STRAKER Have you searched the ship? SKYDIVER CAPTAIN Yes sir, we've been over her with electro scanners, top to bottom. STRAKER Fine. Well, good luck, Captain. FOSTER Well, nothing more we can do except wait. STRAKER Oh, isn't there, Paul. I seem to recall an unlocated Ufo. I want it found. GUARD Security. V/O Captain Lauritzen's here. GUARD We're expecting him. Captain Lauritzen's here. Good evening, Captain. May I have your pass please sir. Thank you, sir. Can we check your case, please sir. Travelling light. Finger prints, please, Captain. Thank you, sir. Well, everything seems to be in order, Captain. Go right ahead, sir. They're expecting you on board. Get me Skydiver. SKYDIVER CAPTAIN Skydiver. GUARD Security here, sir. We have an intruder. SKYDIVER CAPTAIN Is he armed? GUARD V/O no sir. SKYDIVER CAPTAIN Right. Sound a general alert. SKYDIVER NAVIGATOR This is an alert. SKYDIVER CAPTAIN Get me Commander Straker. V/O Voice print identification. Request voice print identification. You have five seconds. Voice print negative. STRAKER Where is he now? CAPTAIN In the voice print trap. STRAKER Get that submarine out to sea. ***PAGE*** Reel 3, Page 4. SKYDIVER CAPTAIN We'll be away in couple of minutes V/O Clear fore and aft, sir. SKYDIVER CAPTAIN Right. Sever ship to shore umbilicals. V/O Yes sir. Sever ship to shore umbilicals. SKYDIVER CAPTAIN Clear the deck and secure hatch. V/O Clear the deck. Yes sir. Hatch secure, sir. GUARD Let's go. SKYDIVER CAPTAIN Slow ahead. SKYDIVER NAVIGATOR Slow ahead. END OF REEL THREE ***PAGE**** Reel 4, Page 1. GUARD Check it. 2nd GUARD He's gone. GUARD Must be aboard. STRAKER What!! How? FOSTER We don't know exactly. It seems he forced the security doors. STRAKER Get me Skydiver Three. How in blazes could one unarmed man cut his way through five centimeters of steel plate doors? RADIO OPERATOR Captain on the line, sir. STRAKER Captain, it's highly probable that you have a saboteur aboard. CAPTAIN Well if there is sir, he can only be up top. We can handle it. STRAKER Yes I'm sure you can, Captain. Now keep me informed. CAPTAIN Yes sir. Break out the small arms. CREW MEMBER Yes sir. 2nd CREW MEMBER He's up there sir, on the conning tower. STRAKER Out of the question. CAPTAIN But sir, we could open the hatch and rush him. STRAKER I said NO, Captain. V/O Have you reached the safe dive area ? CAPTAIN Yes sir, just about. STRAKER V/O Then take her down. CAPTAIN Sir? STRAKER I said, submerge. CAPTAIN Commander, there's a man up there, one unarmed man.. STRAKER Captain, I gave you a direct order. CAPTAIN Take her down. CREW MEMBER Dive, dive, dive. V/O Blow one and two. FOSTER What a mess! COL.LAKE What did that.... to his hands. ***PAGE*** Reel 4, Page 2. FOSTER I don't know. Take a look around. COL.LAKE V/O Paul! FOSTER Clem Mason. 35. Construction Manager. Suddenly walked off the site yesterday afternoon. No record. STRAKER Another Mister Average. Doesn't add up. He killed Lauritzen, tries to get through the security net, is discovered, gets caught in the Voice Print Trap, and then gets out through tungsten steel doors. COL.LAKE It's also been established that he was unarmed and had nothing on his person. STRAKER Right. He gets aboard Skydiver Three. A ship that's been checked with all the sophisticated electronic devices we have, And yet... minutes later.... it's blown out of the water. COL.LAKE And you said he was a Mister Average, but no normal man could have clawed his way out of those doors. FOSTER So he possessed, or was possessed by, some superhuman force. STRAKER Mmm. In place of superhuman... try alien. COL.LAKE And you... are next on the list, Commander. STRAKER More important, so is the control centre. Look, feed every scrap of information we have into the computer. Every fact, no matter how insignificant. Bend the programme, if necessary. V/O 'morning. LINDA Hello. FOSTER Hey.... take a look. COL. LAKE Yeah... that could be something. I'll check the details. EXECUTIVE V/O Come in. LINDA 'Morning sir. EXECUTIVE V/OMiss Simmons, I didn't expect you. LINDA Didn't expect me.... I want to make sure you catch that plane. EXECUTIVE We... we've been looking for you. I contacted your parents. Are you all right? LINDA Fine sir, why? EXECUTIVE Miss Simmons, leave all that. Yesterday afternoon, you.... ****PAGE*** Reel 4, Page 3. LINDA Yes sir? EXECUTIVE V/O I think I ought to call someone. A doctor... or..... LINDA I wouldn't do that if I were you. STRAKER V/O Yes, that's right. Immediate. FOSTER We may have something. COL.LAKE Clark and Mason live in the same area. FOSTER The computer's come up with a police report that could fit. COL.LAKE Two nights ago a patrolman was brutally murdered and left on the side of the road. The police surgeon states that extra- ordinary almost superhuman strength was used to strangle him. FOSTER Now the time of death was put at twnty-two hundred hours. The patrol man reported in at twenty-one fifty-four. He was checking out a car apparently abandoned by the road- side. COL.LAKE We've checked the registration of that car and it belongs to a Miss Linda Simmons, who lives less than a mile from Mason. We have her address and we know where she works. STRAKER Its the best lead we've got so far. Let's go to work. Got anything for a size A problem? De luxe version. JACKSON A stomach upset's easier to cure. STRAKER Yes, I'm sure it would be. Doctor, you said something the other day that stuck in my mind. You were talking about psychiatric conditions, how tensions, stresses, can build up until finally..... JACKSON The subject explodes...., mentally. STRAKER And physically. JACKSON I have a theory... I must warn you... its pretty wild. STRAKER Go ahead, Doctor. Try me. JACKSON A human body, muscles, brain, operates on a series of minute electrical charges, flowing around a complex of low voltage electrical circuits... the nervous system. Sometimes the electrical balance is disturbed. STRAKER Mental disorder. ***PAGE*** Reel 4, Page 4. JACKSON Imagine a situation where for some reason the balance swings violently off centre. The body becomes super-charged.... like a thundercloud before a storm. If such a charged being could exist it may be able to draw on all the primitive forces of the universe. Attract them to itself. Space,time, light, electrical potential, energy, they're all related. The result..... STRAKER A human bomb. JACKSON A psychobomb.. FOSTER Foster to Control. I've just checked Miss Simmons apartment, she's not there. OFFICE GUARD Can I see your pass? Thank you. COL.LAKE Thank you. What happened? POLICE OFFICER A man's been killed. COL.LAKE Who did it. POLICE OFFICER We don't know yet, but whoever it was beat his head to a pulp. FOSTER Miss Simmons? LINDA Yes. FOSTER My name's Paul Foster. LINDA That looks very impressive. FOSTER A couple of nights ago you were driving back along route 107. LINDA Yes. FOSTER In this car. LINDA Yes. Oh... the police. FOSTER What about the police? LINDA A patrol man stopped me, I still don't know why. FOSTER I'd like to talk to you about that. LINDA Okay. Why not. FOSTER Let's take a walk. COL. LAKE Paul, it looks like Miss Simmons is it. She must be considered highly dangerous. Paul.... V/O Come in Paul. Come in Colonel Foster. ***PAGE*** Reel 4, Page 5. LINDA Well, Mister Foster, you wanted to talk to me. FOSTER Er, yes, um... How about some lunch. END OF REEL FOUR ***PAGE*** Reel 5, Page 1. STRAKER Well the Ufo's been in the earths atmosphere nearly forty eight hours. It must move soon before it starts to disintegrate. Let's concentrate the search area... here. RADIO Yes sir. OPERATOR Mobiles are moving in now, sir. STRAKER Good. What about Foster? RADIO OPERATOR Still can't contact him, sir. FOSTER Been in the office at all today? LINDA How'd you know I work in an office? FOSTER We have our methods. LINDA No, my boss is flying out to Geneva. Big man. FOSTER You don't like him? LINDA Yes, I think he's sweet. I always call him sir. Look at the fish. There's a big one. It's funny. I feel I've known you a long time. FOSTER Four hours. STRAKER Well? RADIO OPERATOR Search still negative, sir. STRAKER Keep them at it. RADIO OPERATOR Yes sir. To all sectors... V/O repeat, to all sectors. Shado mobiles one and two are proceeding to the search areas.... LINDA Paul, why did you come to see me? FOSTER Maybe it was your personal magnetism. LINDA Seriously though, why all the questions? FOSTER Routine. LINDA Just routine? FOSTER There's nothing to worry about. LINDA But you do believe me? Don't you. V/O Don't you. Don't you. COL.LAKE He's what? Foster is bringing Linda Simmons to the studio. Commander, did you hear what I said? ***PAGE*** Reel 5, Page 2. STRAKER I heard. COL.LAKE But she is programmed to kill you. STRAKER Her target is also this control. I'd rather fight that situation on my own terms. When she arrives take her straight to room twenty-two. COL.LAKE But Commander... STRAKER That's all, Colonel. RADIO OPERATOR Still nothing sir. STRAKER This is Commander Straker to all mobiles and search aircraft. It is imperative, repeat imperative, that the Ufo be located as soon as possible. FOSTER Commander. I can't explain why I did it. I believe she's innocent, but to bring her back here... STRAKER Forget it, Paul. In the end it was my decision. Where is she now? FOSTER In twenty-two. STRAKER Who's with her? FOSTER Colonel Lake. COL.LAKE Now don't give me 'I don't know'. I want answers. Why did you kill your boss? LINDA I didn't... I didn't... COL.LAKE And the patrol man, why? LINDA I just don't understand what you're talking about. COL.LAKE You put your hands round his throat and you choked the life out of him. LINDA Stop it. COL.LAKE You pressed and pressed. LINDA Stop it, stop it, please. COL.LAKE Guard. FOSTER I still can't believe it. STRAKER That she could cave in a man's skull with her bare hands. A psychobomb with the ability to call on the potential of the entire universe. But what triggers is off? RADIO OPERATOR Ufo lifting off. ***PAGE*** Reel 5, Page 3. GUARD Stay back. in Room 22. That's far enough. I said that's far enough. One step more and I'll fire. RADIO OPERATOR Area four green. Groundradar have it on positive track. PILOT V/O Sky Four to Control. Have Ufo on radar. STRAKER How far? PILOT V/O In range in three minutes. STRAKER Miss Simmons. V/O You gave us an ultimatum. LINDA Surrender. Surrender Shado. STRAKER You know that we can never do that. LINDA You have no alternative. FOSTER High voltage. That's the trigger. STRAKER The Ufo that controls you has been destroyed. V/O Miss Simmons. If you touch those cables... LINDA Surrender. Ahhhhh..... Er........ STRAKER Emergency circuit. FOSTER Linda... PILOT V/O Ufo destroyed. Returning to base. COL.LAKE How did you know Sky Four had got the Ufo? STRAKER I didn't. THE END ***PAGE*** Reel 5, Page 4. END TITLES CAST IN ORDER OF APPEARANCE: COMDR. STRAKER ED BISHOP SHADO RADIO OPERATOR AYSHEA COL.VIRGINIA LAKE WANDA VENTHAM LINDA DEBORAH GRANT CLARK DAVID COLLINGS MASON MIKE PRATT POLICE MOTORCYCLIST GAVIN CAMPBELL COL.FOSTER MICHAEL BILLINGTON DR.JACKSON VLADEK SHEYBAL TRACKER STATION OFFICER PETER BLYTHE TRACKER STATION GUARDS PETER DAVIES, DEREK STEEN CAPT.LAURITZEN TOM ADAMS THE EXECUTIVE ALEX DAVION SKYDIVER NAVIGATOR CHRISTOPHER TIMOTHY SKYDIVER CAPTAIN ROBIN HAWDON SECURITY MEN NIGEL GREGORY, HANS DE VRIES SKYDIVER ENGINEERS PETER DOLPHIN, MARK YORK PLAIN CLOTHES OFFICER OSCAR JAMES ROOM 22 GUARD AIDAN MURPHY SPECIAL EFFECTS DEREK MEDDINGS ART DIRECTOR BOH BELL PRODUCTION SUPERVISOR NORMAN FOSTER POST PRODUCTION EXECUTIVE DES SAUNDERS DIRECTOR OF PHOTOGRAPHY BRENDAN J. STAFFORD B.S.C. MUSIC COMPOSED AND CONDUCTED BY BARRY GRAY SCRIPT EDITOR TONY BARWICK SPECIAL EFFECTS: DIRECTOR DEREK MEDDINGS PRODUCTION MANAGER KEN HOLT LIGHTING CAMERAMAN HARRY OAKES CAMERA OPERATOR ALAN PERRY DESIGNER MICHAEL TRIM SUPERVISING EDITOR LEE DOIG SOUND EDITORS JOHN PEVERILL, PETER PENNELL MUSIC EDITOR GEORGE RANDALL SOUND RECORDISTS J.B.SMITH, TED KARNON INSTRUMENTATION DON FAGAN CENTURY 21 FILM PROPS ASSISTANT DIRECTOR FRANK HOLLANDS CAMERA OPERATOR JACK LOWIN CONTINUITY DOREEN SOAN CHIEF MAKE-UP ARTIST ALEX GARFATH CHIEF HAIRDRESSER ALICE HOLMES WARDROBE SUPERVISOR JEAN FAIRLIE PROCESSED BY RANK FILM LABORATORIES ASSISTANT ART DIRECTOR KEITH WILSON LOCATION MANAGER RAY FRIFT CONSTRUCTION MANAGER FRED GUNNING PRODUCTION BUYER BILL MACILRAITH STUNT ARRANGER ROY VINCENTE MADE AT PINEWOOD STUDIOS, LONDON , ENGLAND. CENTURY 21 STUDIOS, SLOUGH, ENGLAND AND ON LOCATION. AN ITC WORLD WIDE DISTRIBUTION. ------------------------------ CUT HERE --------------------------------